Words
inscribed thoughts
hopefully
inspiring more thoughts
but limited by
letters arranged within
the cultural boundaries
of a particular language
formed by a particular culture
a particular history of
particular concepts
evolving within
set perspectives
and what can we create out of old concepts
but repetition?
We need a new language
a language that understands
oneness
only we
not I
and not limited
by species
A new language
able, like math
to describe the undescribable
A new language
of recognized interdependent inseparability --
of love
Culture is a powerful force we exist within but often underestimate. It shapes our perceptual reality. We are living in a time when our society is culturally riven by partisan politics and disparate subcultural tribalism. Corporate media has, with great success, promoted a commodity obsessed commercial culture of vengeance, violence and self absorption driven largely by fear. Facts are turned into opinion and conflated with partisan identification. Much of what we are seeing today, not only with the ascendance of cynical, sociopathic corporate politicians, but of armed, fascist militia groups and some of the violent reaction to them, is a product of manipulated culture symptomatic of a diseased, toxic and thoroughly corrupt system. Much of how we got here began in 1980 with the ascendance of Ronald Reagan and what we now refer to as the “deep state.” The intention was to undo what was called the “Vietnam syndrome,” a public aversion to war and militarism which conflicted with an agenda of proxy wars and global aggression. War coverage and the embedding of the mainstream media are major parts of this effort largely guided by the efforts of George H.W. Bush. Hollywood complied promoting militarism and nationalist machismo with movies like Rambo, Lethal Weapon, Die Hard, and Robocop; propaganda-heavy films that made bloodthirsty mercenaries into heroic icons to justify the terror we were inflicting on Central America at the time. Anger and the catharsis of vengeance became popular themes with films like Dirty Harry. It remains so today. Entertainment, from Hollywood to video games continue to be war and vengeance focused, feeding a militarized mindset and a culture of warrior worship.
The rise of jingo-laden talk radio and of FOX media led by master propagandist Roger Ailes was a related effort at cultural manipulation. People like Ailes and George H.W. Bush understood the power of culture in shaping our mindset. These efforts, combined with the silencing of dissent in the corporate media largely define how most of us understand the world around us and our place in it, how we react to things and what our expectations are. Culture defines our language and therefore our thought processes. It defines how we see and interact with each other. Most importantly, it defines our attitudes and our values.
The rise of right-wing media was not the first attempt to affect change within our culture. In response to the Civil rights movement, President Johnson initiated the Great Society programs to confront and undo the racism that has defined our country. The most important of these efforts were the integration of our public schools and laws pushing equal opportunity in hiring. In commercial media people like Norman Lear played an important role by integrating mass entertainment and showing positive images of Blacks and of assertive women. Black entertainers like Richard Pryor and Dick Gregory helped open our eyes to the reality of racism. These successful efforts to awaken and integrate our society allowed more of us to get to know people of different races and life experiences.
For every action there is a reaction. The changes sparked by the Civil Rights struggles and Johnson's efforts set for the stage for the recidivist racist reaction that has taken over the GOP.
Our much older culture, the culture of rural, pre-industrial times, the culture that carried us through the great depression and WWII, though plagued by racism and sexism, was more community centered. This was the culture that settled the continent, the culture of community harvests and roof-raisings, the culture of solidarity that stood up to the robber-barons and created labor unions which improved our lives. The socially productive and healthy cultural attitudes of those times and the values emerging from the experiences of the 1960's and the Civil Rights era remain with us today. We can see this in the majority that reject racist extremism. We can see it in times of disaster such as Houston where people have reached out to help one another.
Culture, the good and the bad, continues to define us. Those with agendas continue to do their best to influence it. Authentic culture, as opposed to the stuff foisted on us by ruling elites and cynical profiteers, comes from people like ourselves. It develops over time based on our way of life and our traditions, religious or otherwise. Colonialism and improved mobility have brought different traditions into direct contact, influencing and enriching our culture as well. We can choose to be passive consumers of culture, vulnerable to its currents and to its manipulation, drifting where it takes us without really thinking about it or we can be consciously active participants in shaping it.
A good example of taking personal responsibility to actively participate in and affect our culture can be seen here in Norfolk, VA in work of Tench Phillips through the NARO Cinema. Many of the films and documentaries he shows are not seen in corporate venues. These are often the subjects and perspectives those in power do not want us to be exposed to. They are shown at the NARO and followed by speakers with audience discussion, thus enlarging our cultural conversation.
I too do my best to influence our larger culture. In publishing the quarterly literary journal, The Blue Collar Review, Journal of Progressive Working Class Literature for over 20 years, I, along with my co-editor Mary Franke, have worked to nourish and revive our working class culture of community and solidarity. The antithesis of alienated corporate culture is working class culture. This is a culture that arises from our real conditions. It is rooted in our working class values of community, social cooperation for the common good, peace, economic security, sustainability and internationalism. Rather than self-absorbed, competitive individualism, working class culture sees us within the context of our common class experience. While acknowledging the richness of our differences, it stresses commonality and solidarity in the struggle for a better world. For anyone interested in exploring this further, I'll be teaching a class on working class literature at The Muse in November.
Located at 2200 Colonial Avenue next to the Plaza del Sol Mexican restaurant, The Muse is another vital venue for those who choose to be active participants in our culture. As Michael Khandelwal, Executive Director of The Muse Writer's Center describes, “The Muse is Hampton Roads’ only literary center. In the past 11 years, we have grown from a small organization that borrowed meeting space from other arts groups to one of the top-10 writers centers nationally. The Muse hosts introductory-to-advanced low-cost creative writing classes and seminars in fiction, poetry, nonfiction and memoir writing, scriptwriting, and songwriting. Independent from a college or university, we embrace people of every age, background, and level of experience. Our main educational aim is to embrace people who want to write but haven’t had the opportunity to be guided by great teachers. We are also offer tuition assistance to anyone who wants to take a class but cannot afford one. About 15 percent of our students are on tuition assistance (last year, we gave more than $12,000), and we also give three $500 college scholarships each year.” Khandelwal adds, “This year, we also plan on hosting more than 200 literary events, which will attract nearly 6,000 people. Ongoing events include public readings for adults, teens, and kids, our open mic nights, our writers' happy hour and writers' coffee breaks, our jams and open houses, our Slover Library write-ins, public writing days, writers' support groups, book launch parties and readings, and many more.”Too often, “culture” is placed on a pedestal that may intimidate some but The Muse is anything but stuffy. If you enjoy listening to live music or poetry readings or just want a quite place to read or write, it is there and open to the public on Tuesdays from 10 a.m to 7 p.m. and Wednesdays, 12:30 to5 p.m.. There is also a library which includes many local authors. More on what the Muse offers can be found on their website including the fall class schedule. Other events can be viewed on their site as well.
I am scheduled to read and have a launching of my new poetry collection entitled “BALK!” at The Muse on Sunday October 8th from 4 to 5:30. If you have enjoyed my articles you're likely to enjoy my poetry. The book will be for sale at the reading. I hope to see some of you there. “BALK!” is also available online through Partisan Press.
Together, it is up to us to actively participate in shaping, reclaiming and healing our culture. We can't all be writers, musicians, artists, publishers or media moguls but we can take responsibility in how we interact with people, what we communicate and what we pass along. We can be aware of how culture shapes our language and attitudes. We can question our own reactions, feelings and initial responses and not buy into the warrior culture that sees dehumanization and violence as the solutions. Anger and tribal animosity only weaken the community on which we all depend. If we are to confront and overcome the tribal division, bigotry and anger that has poisoned our national culture, we must recognize its sources, hear and reach out to others focusing on our common experiences and interests, and work actively to shape a culture based on our better shared values of community and mutual responsibility.
